「竹漆之美」作者李榮烈，此件作品也是以菊花紋編法起底，以細竹篾絞編做底座，再以寬竹篾直插來完成三分之一的胴體，以斜紋四角編來完成另一段三分之一的胴體，最後繼續以絞編方式編織，緣口以薄竹篾迴繞收邊完成。從起底、器身到收邊完成呈現幾段不同的編法與紋樣是其特色，經過染色、刮塗及生漆處理後，使整件作品更顯出其雍容華貴的氣質，是一件饒富趣味的竹編藝品！

 “Beauty of Lacquered Bamboo” by Lee Rong-Lie . This piece also starts with a chrysanthemum-style base, with thin bamboo strips woven into the base and wide strips woven vertically into one-third of the body. Furthermore, diagonal square weaving makes up another one-third of the body, and the piece is finished by twisting thin bamboo strips, with the vase’s edges twisted by thin bamboo strips. From the base to the body and the edges, different weaving techniques and patterns are showcased. After dyeing, scraping, and lacquering, the lavishness and elegance of this piece is prominent. This is a fun piece of bamboo weaving art!